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American painter David Salle explains that to observe and appreciate art better, we need to rewind to a basic skill we've all left in the dust: how to see. Salle's book is "Hot to See: Looking, Talking and Thinking about Art" (https://goo.gl/XCGjsZ).Read more at BigThink.com: http://bigthink.com/videos/david-salle-on-how-to-look-at-artFollow Big Think here:YouTube: http://goo.gl/CPTsV5Facebook: https://www.facebook.com/BigThinkdotcomTwitter: https://twitter.com/bigthinkTranscript - Not all art necessarily makes an appeal to the visual senses, but let's say that most of it does. So it might seem unnecessary or unnecessarily elementary to say so, but sometimes it's worth reminding ourselves that art is something meant to be seen primarily, that the appeal that art makes to our intellect and emotions, our attention, is achieved through visual stimuli and that's a different animal than other things, than writing or music. The eyes are capable of incredibly subtle perceptual distinctions that happen at an unconscious level. So the act of looking consciously is the really partly a matter of paying attention to what it is we notice when we really look at something.Another way of putting it is to think about drawing, if you've ever taken a drawing class or you've ever even read a book about how drawing is taught, the first most elementary lesson is usually a demonstration of the difference between what you see in front of you and what you think you see. The first attempts at drawing something from life, from perception, invariably involve distorting what's actually in front of you because the brain intercedes with the eye and gives false information. Read Full Transcript Here: https://goo.gl/TdMnsE.